Descripción
SERPIENTE NEGRA PRESENTA: TCHOTCHKE + BLANCA ADELFA (23.06.26) 20:30
Like Pop Rocks hitting the tongue, New York’s Tchotchke is classic candy-coated rock’n’roll. Sweet on the outside but filled with surprises once properly ingested, the three-piece have been winning over audiences with their Rundgren-tinged sound and masterful harmonies since 2021.
Anastasia Sanchez (vocals, drums) and Eva Chambers (bass, keys, vocals) met in the mirror of an L.A. highschool locker room in 2014—they were both fixing their bangs. A deep musical friendship was quickly formed, forged on a shared love of everything from vintage dolls to the Beach Boys, and resulting in a handful of bands together. Several years passed before fellow L.A. musician Emily Tooraen (guitar, vocals) entered Anastasia and Eva’s orbit and everything finally clicked. Tchotchke was born.
A move to the East Coast followed, and the band started working on their first album, produced by power-pop wunderkinds the Lemon Twigs in their Long Island childhood home. Tchotchke (2022) was a full-tilt rock’n’roll gem of catchy guitar riffs, powerpop piano lines and hook-heavy vocals. Tours with King Tuff, Broncho, The Gossip and The Makeup followed, and the band found themselves crossing the U.S. and Europe throughout 2023 and 2024.
With no intention of slowing down, Tchotchke found time in between the touring life to write their second LP. Entering the studio this time with songs fully arranged and demoed, the band once again enlisted the Lemon Twigs to produce—now based in a Brooklyn studio aptly dubbed “The Vegetable Attic” due to the produce warehouse located downstairs. “There’s always cabbage scattered on the street,” Eva says.
The album, Playin’ Dumb, was recorded over the course of four seasons. Contending with the Lemon Twigs’ touring schedule, the trio would jump back into the studio whenever there was a chance; from sweating it out above the wilting vegetables to walking on ice with guitars and enduring days without the heat on in order to get the perfect studio sound.
The effort and intentionality paid off, as Playin’ Dumb’s 11 tracks are more sophisticated and sonically complex than their previous work, leaning heavily into the band’s love of 60’s girl groups and outsider popsters like Harry Nilsson, Dolly Mixture, and Sparks. Themes on the album also became evident as months in the studio went on. Particularly, the band says they embraced their femininity on this album, with the result being a sonic impression of girls hanging out and “yapping,” as they like to put it.
Channeling a Shangri-Las style of conversational vocals, the cast of characters that Tchotchke personifies in Playin’ Dumb also embody classic girl group traits of lovelorn winners and losers. The band thinks of these narrators as hyper-feminine caricatures of themselves, with aspects of their personalities amplified to the point of high drama.
On the guitar-driven first single “Did You Hear”, the narrator hopes she is “the one” who can change a man for the better… but eventually the hopeful fantasy just fades into contempt. The bluesy, mid-tempo “Poor Girl,” is an antonymously-named track about spoiled brats that shows off the band’s penchant for lyrics with tongue planted firmly in cheek. On the Joey Ramone-esque title track, a narrator laments behind a wall-of-sound arrangement that she keeps playing the “dim dum-dum” so that her boyfriend feels smart—even though she hates it.
An original board game designed by Eva accompanies the vinyl release of Playin’ Dumb. It’s a colorful tabletop trip of girlspeak, gossip and truth or dare prompts that reflect the themes of the album, as well as the band’s personalities and style.
Blanca Adelfa, el power-trío granadino de dream pop, está de estreno. Tras adelantos tan contundentes como la cañera Hago todo sin pensar, el pop luminoso de La Playa o las guitarras envolventes de El túnel, el grupo presenta su primer EP, Algo tan bonito para ti de la mano de Luz Roja Records.
Este debut supone una declaración de intenciones para la banda formada por Irene Tejero (guitarra y voz), Sara Armada (bajo y coros) y Candela García (batería y coros). A lo largo de cuatro canciones, Blanca Adelfa demuestra un sonido tan heterogéneo como cohesionado, capaz de transitar entre el hartazgo social y la nostalgia amorosa, sin dejar de lado la incertidumbre vital y la vulnerabilidad emocional.
Con la producción de Darío Muñoz (sprgrs) y el diseño de sintetizadores a cargo de Mariano Almeda (Apartamentos Acapulco), el EP consolida una identidad sonora que bebe del preciosismo del shoegaze británico y la energía del power pop, con una personalidad propia que apunta alto dentro del panorama independiente nacional.
Entrada permitida a menores acompañados por padre/madre
